Human - Transmission

Tony Calvert (vocals), Tony Hamill (bass), Richard Lewis (guitars, programming).
The first two played in a group called Tortoise Corpse, so I think this was also recorded in Swansea, but not too sure.
Ministry-Skinny Puppy industrial metal. The third track has this quirky dungeon-synth line that I highly appreciated, as primitive 90's as it gets.

1. Don't Fuck With Truth
2. Pornocracy
3. Terra Nostra
4. Insignificance
5. Human Abattoir
6. Interzone
7. Panopticon
8. Simulcra
9. Human
10. Sex War
11. The Silent Minorities

Get (Over) Here

Pineal Ventana

Kim Chee, Travis Kotler, Clara Clamp, Brian Cook, Mitchel Foy
1993

Someone told me it became hard to find Pineal Ventana's stuff online, so I thought that's a good reason for a PV mega post.. besides, it's PV, that's a fine damn reason for it's own.
This post is including everything I could lossless rip, and every other release I could find in highest quality possible. Still some tapes are missing, if you have, please share.

For those of you who aren't familiar with the group, do some google work to understand more how interesting these guys were. Probably my all time favorite Georgia band, Ventana weren't following any rules and did exactly what they wanted to, both live and on record. Live they were at times a mix between the art exhibitions of Circle X and the chaotic insanity of Butthole Surfers (including the winning elements of every family show- urine, fire, female organs constructions, etc..), while their music was so diverse I'm not gonna even try and describe it, let's just say that it's mostly free-form, heavy, tribal and noisy, just like the stuff you usually get here. I could long list comparisons to every free thinking 80's industrial/noise rock/goth/post punk groups existed, so let's just not go there.
Both line up changings and the fact that the staying members kept expanding their instruments variety, helped the band on their continuous evolution while always staying fresh, pushing new ideas.
Make sure you check some videos on youtube, The Point shows are few of my favorite ones.
Honestly I've no idea how not even one album has been re-issued by now, PV deserves one of those complete discography fancy box set, and since no such thing exist, catch your breathe, here comes the thunder..


1993 - Stagnancy Is Revolting [varied high bit rate]


Second PV was this self released 7", in the end of their formation year, featuring founding member Mitchell Foy (percussion, vocals) and Clara Clamp (Danette Haser, vocals), Kim Chee (guitar, percussion), Travis Kotler (guitar, replaced Doug Herring) and last to join as the first line up was initially without bass guitar, was Brian Cook.

1. Pathfinder
2. Umbilical Operator
3. Quince Minutos

1994 - Philosopher's Stone [partially, low quality]

1. Philosopher's Stone
2. Golden Return (missing track)
3. Cheese of The Month Club
4. Sour Sheet (missing track)
5. Attack of The 50Ft. Cannibal Clownz

Edit: Full, lossless rip, available here



1995 - Living Soil [lossless]

And than came the saxophone. Shane Pringle joined turning the beast to a twelve arms six headed monster with one common twisted mind. Debut full length came on local Half Baked Records showing more improv nature than prior releases. When you see their photo in the booklet, you realize these nightmarish sounds are made by the most odd looking weirdo geeks.

1. Indica
2. Uzi Does It
3. Big Dick Roast
4. Colon Caddy
5. T.L.T.
6. Abre La Ventana
7. Every Beast
8. Ode To Tetsuo
9. Descending Reminder
10. Do It
11. Mark Of Zero
12. Coming On
13. The Negate of Want
14. Kitty Katz On Dope (hidden track)


1996 - Let Them Fuck [partially, low quality]

1. Let Them Fuck
2. Vacant Twat
3. The Screen (missing track)

Clara Clamp, Jason LaFarge, Mitchell Foy, John Whitaker, Kim Chee, Shane Pringle
Breathe As You Might photo session, 1997 . By Laine Harris

1997 - Breathe As You Might [lossless]

By the time their second full length was released, PV saw some more line up changes, Jason LaFarge came instead Kotler, while on bass Cook was replaced by Ron Bon-> Leigh Jeffrey->Ryan Taylor (who is featured in track 13)->John Whitaker at last.
Featuring some old material by prior line ups and newly written stuff, this one is considered by some to be the best PV release, I believe it's just another blast one in a kind album by them, like the other three..

1. Untitled
2. Waterlogged
3. Dellamorte
4. Spatial Consequence
5. Spindlewick
6. Intrinsic
7. R
8. Deadlands
9. Leyner Notes
10. Parched Mind
11. Shauna Doll
12. Man Lies
13. The Slow Shock of Recognition
14. Cities In Linger



1998 - Expel [192kbps]


Three outtakes from the Breathe As You Might sessions and two more recently recorded at their rehearsal space at Black Box.

1. Walks Alone
2. New Spirits (For Old Rituals)
3. Dark Cloud
4. Effigy Burns
5. Calling Ø/Rid Rot



1999 - Malpractice [lossless]

First of two to be recorded and produced by Martin Bisi at his B.C. Studios, sure brought a level up sound-wise and brought the group towards bit more recognition. This one sounds more like a one complete unit, even though like both predecessors, it also contains few improv tracks recorded outside the studio. Was completed (probably even pressed) already in 1998.

1. Hollow
2. The Hooded Mirror
3. Crack In The Light (Crack In His Eye)
4. Taenia Solium
5. Dora's Deliverance
6. Rats For Belmer
7. Flesh That Moves
8. They Hide Life
9. Ruin
10. A Hollow Margin Forgotten
11. Practice

Edit: 

2000 - UX [varied low bit rate]

1. Alive
2. SSS (Land With No Heads)
3. **
4. Taenia Solium
5. Crack In The Light
6. - - - [Deaf]
7. P9
8. Intrinsic
9. Begotten
10. Untitled
11. Sleep
12. Studio Improv. 1
13. Studio Improv. 2

2000 - Axes To Ice [lossless]

PV's swan song and the second one involving Bisi saw the departure of Pringle, but as a quintet they still kept the bombastic exploding sound, and even draw a bit further into experimentation than previous one. Some of the music was acting as soundtrack for short film by Chad Rullman called Kotoran Jiwa, with PV's member acting in it, and stills from it portraying as the album's art. On one hand I really wanna watch this film, but on the other I'm scared to death..
Post release Whitaker and Chee left, and even though new players were joined (Brian Ginn and Lindell Todd) for a couple of live shows, 2001 saw the group's demise.

1. incarnia
2. Breach Denial
3. Control?
4. hark
5. S'vreem
6. Divide
7. One Held The Key - One Held The Sleep
8. SSS (The Land With No Heads)
9. Axes To Ice

Travis Kotler, Leigh Jeffrey, Clara Clamp
At Dottie's, Atlanta, 1996.09.13 . By Steve Pomberg

199X - Compilation Tracks [varied high bit rate, some lossless]

1. 199? - Flowers For The Dead (Unreleased ?)
2. 1993 -  D.yUle I. (Perimeter Records - Christmas '93 Compilation)
3. 1993 - Philosopher's Stone (Early version or just live ?) (Red Neon Tapes - Made In U.S.A. Vol. I)
4. 1995 - Alimentary School (Half Baked Records - Quadruple Felony!)
5. 1996 - For Christmas I Want A Way Out (Outer Loop Productions - First Annual Christmas Tape)
6. 1996 - Mended (Silber Records - Alleviation)
7. 1997 - Angel From The Realm of Glory (Outer Loop Productions - Second Annual Christmas Compilation)
8. 1998 - He Said "She Won't Dance With Me" (Scuss Media - Our Heat (Your Moisture))

That's all boys and girls, as usual, you have anything to add please do so, comments are more than wanted.. info, memories, missing tracks, missing releases, rarities of any kind, whatever..
Stagnancy Is Revolting !

Mildew - Flat On The Face / +

Original '98 cover

So after Israeli group 3H split up, both drummer David Oppenheim and bass player Reem Hareuveny moved to new york, forming there short living trio called One Two Four Nine (nice alt. rock, I'll post their album somewhen), than, same year (1995), going even further, towards much more extreme and experimental realms, acting as the semi-active to this day, menacing metallic noise duo Barbara.
In 1997 David's solo project Mildew, Ovesh in Hebrew, released it's first cassette [if you have it, please share]. Mildew was his first shift towards electronics (at least recorded, as far as I know), using samples, keys, computer and triggers.
After a few Barbara demos, Reem had to come back to Israel in 1998, due to personal problems, leaving David alone, to concentrate on Mildew. Flat On The Face is the only full length, recorded straight after Reem left, and it is one of his finest creations in my opinion (and let the record show that I truly admire a lot of his stuff, and he has released a vast variety).
Musically I always get an image of the Scorpion VS Johnny Cage fight, while trippin badly on a large dose of ketamine, and that Fear Factory remix in the background getting a minimal remix by Duran Duran Duran having a program crash. A Y2K version of Chu Ishikawa's Tetsuo OST. Or as his own legendary label Heart And Crossbone states "super slow, dark & repetitive electronics, drum machine gone out-of-control, a digitized binhexed godflesh floating in cyber-outer-space".
This was self released as an "interactive piece" with an external controller, I'm uncertain about the meaning of this, since I own only the 2005 repackaged re-release. But there it is on bandcamp, enjoy.



An interview with David a bit after, but same era, if you're willing to know more about
Bonus track for fans, unreleased - Shir HaShiryem (I think it was recorded after the album, but not quite sure)
_______________________________________________________________________________________________________________

boy man machine

Now for the plus meaning - just paying your attention to a new release coming up next month, Drose - boy man machine +
Those agonizing long "end of the year" list I've written on this humble blog, are filled with great albums, but to be honest, only a few truly lasts with me afterward. 2016's Drose is still a one I come back to, that's why I give it's upcoming exciting re-release this very special honor.
Cmptr Stdnts, what seems to be like a promising label (responsible for last year's Big'n EP), are in charge for giving boy man machine a new life, both again on vinyl and more important, first time on CD, with bonus songs and a very thoughtful design.
Do I need to write again about the brilliant dissonance between the soulful emotional vocals to doomish industro music on this one, harmonized together in a wonderful biomechanical album ? I think not..
Do yourselves a favor and pre-order it here

Upsidedown Cross - Hate

Spawned to the world in 1998, just to be kept indoors, locked up as if it was Bad Boy Bubby, this Boston boy turns 21 this year, and I thought since it turns legal it'll be nice to post it up for good.
Hate is the unreleased third album by obnoxious sludgelords Upsidedown Cross. This time with a 6-monsters line up. As a matter of fact it already exist online, and you can check it with some more info on this youtube link, thanks to Michael Gillham of Black Operations (among many other things) who runs this fantastic tube archive filled with much more Kilslug related projects rarities.

Yeah sorry for the size,
that's the only picture of that line up available,
don't know whom to credit with..

1. Coming of The Friars
2. Desecrate A Corpse
3. Dark Cloud of Hate
4. Occult Power
5. Satan Wins
6. Vampire In The Mirror
7. Time Has Come
8. Hate

Hate (256kbps)

Mr. Lifeless if you have a problem with me sharing this please just contact and link will be removed, no need to brutally murder me, thanks.

Ausweis

Guy Katz, Ant Weiss, Michael Gorodinsky, Sergey Engel
ZOA, Tel Aviv, 1998

Ausweis were a Jerusalem band, comprised of teens who did aliyah (google it) from the USSR to Israel among with many soviets during the 90's. As foreigners who don't speak the language, and coming out of different culture and education, they didn't fit in, and felt out of their place. So was their music. Ausweis didn't fit into any local scene and were very isolated musically.

Formed by vocalist Anton Weiss in 1994 after meeting guitarists Eddie Korshonsky (who passed away, died of a heart attack before the first rehearsal) and Sergey Stephanoff.
Sergey brought Gena Yashinsky (drums), and this line up was supported by Ilia Mazya (who was playing in another russian band called Peregrin Krol) on bass for a one show.
Sergey Engel joined later that year, as permanent bass player. Another thing he contributed was "punk terminvox", an electric device he created while being young, which makes noise once fingers touch it and electricity start to flow, the terminvox was mostly played by Anton.
Second guitarist, Jenya Hermatzki joined for a short time somewhere between 1994-95, and was replaced by Guy Katz, who eventually became only guitar player when Stephanoff left to Canada.
The band saw two more drummers during their existence, Ofer Melech (95-96) and Michael Gorodinsky as the last one.
Ausweis described their music as "Ambient Hardcore Jazz-Trash Band" and I'm not gonna argue, but if it was up to me I'd just said experimental funk metal and call it a day. Someone once said their music sounds like a blend of Helmet, Klaus Nomi and Rammstein, all I can add is you should put some more ingredients in the blender if you want the right recipe for what they sound like.

Comintern.com is their debut and only official release, recorded in December 1997, released a year later by local label Earsay, thanks to a guy named Michael Meresse (the stoner looking guy in the documentary below) who got the money to fund it and helped a lot to promote the band. Also contributed guitars was Dave K. of the band Rabies Caste

1. Comiraden (contains samples of Maria Ulyanova as vocals)

2. Inside

3. Carpenter

4. Twist

5. Hurt

6. Vint 2

7. Pain Killer

8. Trackrek

9. Working Class Hero (John Lennon Cover)

10. Vint 3

11. מוות (Death)

Get it here

Meanwhile, while the album slowly gets to your music library, you can watch this great short-documentary by Duki Dror, released in 1999, after Ausweis were already dead (english translation)

Now, here is their (very unofficial) "discography" for you rarities seekers