Thursday, May 28, 2020

God

Tos Nieuwenhuizen,
1987.09.13 (I think)

Before Kevin Martin's, God has revealed himself upon the earth in the form of a dutch power trio. I'm not gonna expand many words about this, mainly cause I'm not the biggest fan of this group, just cleaning some stuff off the computer, so thought I'll upload it here first for whoever.
Don't get me wrong, all three of them are highly technichal, talented players for sure, and the music is a bizzare mix of progressive art-y heavy thrash metal jams, something like Gore-Black Sabbath-Black Flag-someone, but I just never come to listen to any of the albums, never struck me as memorable ones. Someone will enjoy it more for sure.
First line up was responsible for first two albums (their semi-primitive debut Sweet Life is undoubtly my favorite) included Tos Nieuwenhuizen (guitar), Daan van der Elsken (drums, vocals) and Michael Cavanaugh (bass). Tos left on and the last album saw the addition of Björn Warning (guitar, vocals) and Joszja de Weerdt (guitar), with them the sound became a bit more "90's alternative" thing.

If you're looking for more God, be sure to check this '87 radio session up at Brob Tilt's tapes, it's even claimed to be better than their studio, for me it's all the same. Brob also scanned an interview with them at his Zine-World if you care.




1988 - Sweet Life (as said, their best)

1. See Smoke, Smell Fire
2. The Finger
3. Settling Down
4. Lust
5. Wimps
6. Teste Marce
7. Stomping Ground
8. Sack B.
9. So Be It!
10. The Asset of Punishment

1989 - The Shametree

1. Risk of Regrets
2. Blessed
3. Wordsworth
4. Stuck
5. Can You Take It
6. Medicine
7. What Climax
8. Brainstorm

1991 - Headrush

1. Image Down
2. Fooler Of Fools
3. You Know Me Not
4. When Time Is Present
5. Zero Sicks
6. Taste
7. Horizon The Liar
8. Drink Deep
9. Black Balled
10. Chicken Song
11. Who'll Decide
12. Child
13. Classic

Friday, May 8, 2020

Various Artists - Haifa Point

Here's a compilation of local Haifa-Krayot bands in the late 80's, I don't have much info about who and what, all are pretty anonymous, but I have a fine gut feeling that all the artists here circle pretty much the same participants. There's plenty of uncertain info coming ahead.

I think this was compiled by "Marcelino" aka "Mr. Chello" (probably Israel Dotan), who joined the latter incarnation of the more known group among these no names, called שרמוטה מעופפת בהרים (Sharmuta [Slut] Flying In The Mountains). They were somewhat a "cult" band in Israel (even though few are the people who heard them and you can count on two hands the amount of shows they did between '87-'90), playing their own version for music, which came as what one might call avant garde industrial music, known for incorporating bizarre self made instruments and for playing a gig at a mental asylum in Tirat Carmel (at least one of the members was hospitalized there during the years).

M.I. Dotan - pretty sure is just the aforementioned Israel Dotan.

Both songs presented by Katherina And Patricson, were later recorded by a band called איוב (Eyov), so I guess this is just an early incarnation of Eyov which included, surprise, former members of Sharmuta (Yuval Hillman who played bass, Mor "Matt" Romi on guitar).

Jem Boom Jem's track is also called "You Have To Look For", it was recorded in 1987, in Kiryat Motzkin.
Zohar Leshetz (aka Bionic Shultz, of Sharmuta) doing the vocals, both Doron Reubens and the aformentioned Yuval Hillman on bass, Keren Alon on guitar.

Honestly, this tape doesn't represent the most amazing music you'll hear today, it's far from being something I'd strongly recommend, but some might enjoy some tracks here, and if not, it's here for the sake of documentation. You can find here a lo-fi blend of industrial/electroncis/synths/post punk/acoustics.
Personal favorite is the D. Zonder Men's track.

Hebrew readers who might amuse themselves with Yoram Bar's bashing review over here, should also take notice for the comment by Boris "Swisa" Svirsky (founder of Sharmuta F.I.T.M.) claiming these two tracks by his band absolutely don't represent their true sound.

What's the point.. (lossless tape rip)

Many thanks once again for Rani Zager who opened up his ZazBenDoom tapes vault.

If you happen to have the sole Sharmuta official release, 1991 "Classic Hits Compilation", and willing to share, no one here will stop you, be sure of that, nor will anyone prevent you from shedding light on the other obscure artists here. Info, photos, etc.. are always more than welcome (I can contribute some more info, pics and audio regarding Sharmuta if anyone cares).